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LEGATO NOTES
A Fertile Conference Blooms in the Arizona Desert

Book Review

Lullaby to Old Broadway
by Barry Drogin

Supplement to the Spring/Summer 2005 Issue:
The Schoenberg conference (unedited, unabridged)


Live Events

Peter Burwasser's
Philadelphia Report


Web Extras

Joseph Pehrson interviews Electra Slonimsky Yourke, the daughter of
Nicolas Slonimsky
with Sound Files

Alan Hovhaness
The Composer in Conversation with Bruce Duffie

Boston Live Events
by David Cleary

Sleeping, Waking, Dreaming: Dinosaur Annex Music Ensemble

Flutings and Floatings: A Concert of Music for Flute Composed by MIT Composers

Boston Symphony Orchestra

New England Conservatory Wind Ensemble

The Composers' Series

Contexts/Memories II: Celebrating Milton Babbitt's 90th Birthday

[nec] shivaree

Boston Musica Viva Celtics

Can You Hear Me Now? The Music of Howard Frazin

I Hear America: Gunther Schuller at 80

The Boston Conservatory 2005 New Music Festival

Boston Symphony Orchestra

Alea III: Soloists of Alea III


CD Reviews
by David Cleary

CD Reviews
by Dr. Helmut Christoferus Calabrese

Fresh American Sounds for Christmas

High Coos, Low Shrieks


Opinion

The Repulsive CD (an alternate view)
by Joseph Pehrson

The following is an addendum to the American Composers Alliance review which appeared in the hard copy version of New Music Connoisseur. The three reviews published here were forced off the pages because of space limitations. For those who would like to see the complete review but do not have the magazine, you may request a copy by contacting us at publisher@newmusicon.org .

Reprinted here is the brief introduction to the festival.


Wearing Several Hats and Making The Present Felt

by BLC ©2004 and Mark Greenfest ©2004

American Composers Alliance : American Music Festival. Works by more than 20 Composers. Performed by Ensemble , The Sirius String Quartet, Soundclock and guest soloists. The Flea Theater, NY , NY . June 16-20, 2004.

Henry Cowell
Henry Cowell

In his printed introduction to this ACA Festival, Pres. Hubert Howe quoted Henry Cowell, writing in 1948, that “My admiration and enjoyment of foreign cultures have led me to welcome types of musical treatment which show the close relationship between our musical concepts and those developed by other people.” One feels that this statement serves as the thread running through the entire festival much more so than its subtitle 'The Past, Present and Future of American Music.' After all, can we really encompass our past here or forecast our future?
Virgil Thomson
Virgil Thomson
Throughout the foregoing comments we will point to many examples of that right now - or at least within the past 20 years - what the American composer is really doing is seeking a synthesis between us and them. Is that not how all art becomes truly classic? The two honorees of the festival, Cowell and Virgil Thomson, most certainly pursued that idea in their day, despite the latter's studies with Nadia Boulanger, who often spoke of anv “American” music.

Program IV Saturday, June 19, Early Afternoon. 'Young American Composers .'

Program V Saturday, June 19, Late Afternoon. 'Piano Plus.'

Program VII, Sunday, June 20th , Afternoon. 'Electronic Music.'